can't read sarcasm.
Join Date: Aug 2004
Location: Toronto, Canada
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I know there are some avid photographers here so I'd like to hear your thoughts on this. I'm looking to shoot a bunch of printed sample of projects I've worked on over the years. Most are letter size, a few tabloid ones. I'd like to capture closeup elements with some depth of field effect. Probably all on a white backdrop.
I'd rather not outsource a professional photographer at this point. If I can get it done myself, I'd prefer that. But of course, I just have an old P&S camera. So, what is the minimum set-up? Some sort an overhead dolly to afix a SLR camera to? Basic lighting? What's the minimum level DSLR camera I need? (I was thinking of getting one, or perhaps rent one for a day) |
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OK Mr. Sunshine!
Join Date: Oct 2006
Location: Toronto
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By the sounds of it, you can go with an entry level DSLR - a Canon Rebel XT forward or a Nikon D40 forward would do the job just fine, unless you're planning on really blowing these things up to poster size or something. I'd check out what Henry's (www.henrys.com) has used, seeing as you're in TO. Call their main store ((416) 868-0872) and their outlet store ((416) 368-8258) to see what they have in stock.
What you really need for this sort of work is a good lens, especiall if you're looking for some DOF effects. You're going to need something with a max aperture of at least f/2.8, but probably even more, like f/1.8 or f/1.4. If you're going with Canon, I'd get the 50mm f/1.4, or rent it if you don't think you'd use it otherwise. I'm sure Nikon has an equivalent. Sigma also makes quite a good 50mm if I recall correctly. I'm not sure what the overhead dolly would be used for. Wouldn't a tripod do the job? Do not be oppressed by the forces of ignorance and delusion! But rise up now with resolve and courage! Entranced by ignorance, from beginningless time until now, You have had more than enough time to sleep. So do not slumber any longer, but strive after virtue with body, speech, and mind! |
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Sneaky Punk
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For a job like that, pick up a low end DSLR and a 50mm F1.8 prime and you'll be all set. You could go for a 1.4, but the difference in depth of field is hardly noticeable. As for what brand to go with, Nikon and Canon are your best bets IMO. I'm a Nikon shooter myself so I would recommend them, because IMO the cameras are nicer, but if you by a DSLR body you are buying into a lens system. If all you want to do is shoot art with shallow depth of field consider picking up a used DSLR and lenses, it will save you some money and you'll still have a good camera. If you go Canon, a Rebel series is a good choice (The XT is no longer sold new), and for Nikon a D40/D60 with the new 35mm 1.8DX lens is a good choice. I know I said a 50mm 1.8 is a good choice, but none of the Nikon primes other than the 50mm 1.4G and 35mm 1.8G DX auto focus on the D40. Of course if you are working with art and you want precision focusing, you might want to manually focus anyway.
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Sneaky Punk
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Just an example of what you can achive with a F1.8 lens wide open.
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can't read sarcasm.
Join Date: Aug 2004
Location: Toronto, Canada
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PB PM, thanks for info. I may consider used or renting something...Vistek has some decent rates in around $70/day. Not sure what or if that includes a lens. Probably not. BTW, that DOF has quite the sharp drop off. |
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Sneaky Punk
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Yes, F1.8 has an extremely narrow area of focus.
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Veteran Member
Join Date: May 2004
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I'm not going to repost them here but if you head over to the Color Photography thread, look at my cat pics. Those were taken with my new Canon 85mm 1.8 lens. Digital Rebel XT.
I like it mostly because it was ~$300 as opposed to the ~$1000 a 50mm 1.4 lens would have cost. |
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OK Mr. Sunshine!
Join Date: Oct 2006
Location: Toronto
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The Canon 50mm f/1.8 should be about the same price as the Nikon. Both companies make great bodies, so it really is a subjective choice IMO. If you were going to think about buying (I can't imagine not having a DSLR, personally ), I'd play with each model for a bit and go with your gut. Do not be oppressed by the forces of ignorance and delusion! But rise up now with resolve and courage! Entranced by ignorance, from beginningless time until now, You have had more than enough time to sleep. So do not slumber any longer, but strive after virtue with body, speech, and mind! |
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Sneaky Punk
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Yes, the Canon 50mm 1.8 is only $100. I was refuring more to the price gap between the Nikon 50mm 1.4s and the Canon 50mm 1.4.
I agree, go use them in the store for a while. They have very different feels. I was very interested in the Canon XSi until I held one in my hands. To be honest if I'd gone with Canon I wouldn't have bought anything short of the 40D, as the Rebels just were not comfortable for me to hold. |
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Veteran Member
Join Date: May 2005
Location: Paris, France
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I ask because a flat object (like a piece of paper) shot perpendicularly will appear sharp across the whole frame. If the printed sample is a flat piece of paper, do you want to shoot at an angle so that some of it appears out of focus? The lighting requirements will vary depending on these things. Any DSLR will be fine for shooting still objects unless you want truly massive prints. So check out cameras like the low-end Canon EOS models, Nikon D40/D60, Pentax K-m, Olympus E-450, etc. If you rent you can go for something fancier but results will be largely identical. You might need a macro lens depending on how close you want to go. You'll need a tripod or copy stand, and some kind of off-camera lighting such as a flash unit (or two), and appropriate stands and cables. Hot lights (always on) will also work and are easier to set up. To eliminate reflections you'll want the lights at about 45 degrees, and if you still have problems you can polarise the lights and lens. You might also get away with natural light (window and reflectors) during the day, if you're patient. In fact, your point-and-shoot might work passably if it allows a degree of manual control and has a tripod socket. More details forthcoming when I know more details. |
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